Archive for ‘Television’

September 27, 2007

Kirstie and Valerie’s Diet-Based Relationship Continues to Degenerate

Ad Spot #5:

(Valerie is canoodling with her new boyfriend. The doorbell rings. Valerie answers the door to see Kirstie standing there. Even though they are face-to-face, the ad is still shot in split-screen, because otherwise it is all too obvious that Kirstie weighs far more than Valerie. Hopefully, it looks like some sort of artistic choice.)

Valerie: Uh…hi, Kirstie. I didn’t expect you to drop by.

Kirstie: Hi Valerie! It’s me, Kirstie! I haven’t heard from you for awhile! I wondered how you’re doing, and if you’ve reached your goal weight yet!

Valerie: Oh, sure. Yeah, I lost the weight. Oh…this is Joaquin. Joaquin, Kirstie. Um…we’re just having a quiet night in, Kirstie.

Kirstie: Awesome! I brought Jenny Donut-O’s!

Valerie: To be honest, Kirstie, we weren’t really expecting company tonight. Call first next time.

Kirstie: Oh. I see. Sorry to intrude.

Valerie: No problem. Night-night.

Ad Spot #6:

(Kirstie and Valerie sit at a table. Kirstie eats a sandwich, and Valerie drinks black coffee. Although they are seated across from each other, they are still shot in split-screen. Hopefully, it symbolizes the growing rift between them.)

Kirstie: Hi Valerie! It’s me, Kirstie! I’m so glad you were able to finally meet me for lunch! Glad you could fit me in to your packed schedule!

Valerie: Oh, sure. Me too. What’s new with you these days?

Kirstie: Still losing weight with Jenny! You know, this sandwich is delicious and Jenny-approved! You should try one!

Valerie: Yeah, honestly, Jenny really helped me get the bulk of my weight off, but now that I’m quite thin again, I’m back to good, old-fashioned not eating. It’s cheaper and more effective.

Kirstie: Oh. Yeah. You’re really small.

Valerie: Well, you look great, too. We all have different bodies.

Kirstie: Mmm.

Valerie: Soooo…well, I guess I need to get going. It was good to catch up! Let’s try and keep in touch.

Kirstie: Totally! What are you doing this weekend?

Valerie: Oh, I think I have to go to the East coast. But, um, I’ll call you when I get back.

Ad Spot #7:

(Kirstie, drunk, lies around her apartment in a negligee, eating Edy’s light ice cream out of the tub. Each of her body parts are shot in split-screen. She dials the phone.)

Valerie’s recorded voice: Hi, it’s Valerie, and you’ve reached my voicemail. Please leave a message.

Kirstie: Hi, Valerie. It’s me, Kirstie! Again! Have you called Kirstie yet? No, you haven’t! Because you’re a fucking skinny bitch from hell!

Ad Spot #8:

(Montage of Kirstie, Delta Burke, Elizabeth Taylor and Liza Minnelli toilet papering Valerie’s mansion, while Kelis’s Milkshake plays. Laughing hysterically, they pile into a limo and squeal off into the night.)

September 9, 2007

I Hate Ads II

Who were the people in the focus groups who told advertisers that they really love the word “snack?” This freaking word is being used and used and used and used, snapped out of the spokespersons’ mouths as precisely and repeatedly as possible. “Snack. Snack snack snack snack snack.” It’s driving me mad, the way Hobbes’s repetition of “smock” did Calvin. “When kids love a ‘snack,’ you know it.” “With ice-cold skim milk, it’s a healthy ‘snack’ that….” “Don’t let your ‘snacks’ define you.” “I just need a ‘snack!’ Just a healthy….” ARGH! STOP SAYING SNACK!

That last quote, incidentally, is from a Soy Joy ad, and Soy Joy is leading a spate of new products, in which health food is marketed to look as unappetizing as possible. Soy Joy ads feature bland women speaking to a webcam about how annoyed they are by tasty, appetizing food, and how they just want something all-natural and boring. And then the Soy Joy bar is pictured, looking like a beige wad of masking tape. I don’t get this new health-food pitch. If you want to market healthy foods, you have to make the health food look really appealing (or at least make the people eating it look glamorous, wealthy and thin), not show it looking utterly boring next to really appealing foods.

There’s some ad – I think it’s for a Special K red vitamin water, but I can’t really remember – where these people at a meeting get a tray of frapuccinos, and this girl declines her frapuccino in favor of a bottle of red water. But they make the frapuccinos look utterly delicious! They’re all perfect and chocolaty, with the whipped cream and sprinkles puffy and attractive, and with perky purple straws. And the vitamin water looks like hell next to them; the ad leaves me very depressed and really craving a frapuccino. If you’re going to do an ad like that, you have to make the frapuccinos look all melted and sticky and syrupy and gross, and have a bunch of fat, ugly, sad office drones sucking them down noisily. And then you make the red water look refreshing and clean, and have some chic girl in a nice dress at a futuristically pristine desk pouring it into a fluted glass, and when she takes a sip, giant animated strawberries in a stream of crystal water splash around her thin, perfect calves. That’s how you make people want to drink your crappy vitamin water. Like that ad for a water I can’t remember, where a bitchy-looking anorexic teenager is utterly nauseated by a nasty old lunch-lady displaying vat after vat of fried, gray food, and so the skinny teenager jumps into a giant bottle of the water and curls into the fetal position (“find your refuge,” says the voiceover). The ad makes you realize that food is a disgusting thing from which you must escape, and only giant pigs would be interested in it. All the desirable, young people just drink water. See? Effective.

Another ad in this category is the A&W root beer float ad, in which a boy drinks a plain-looking root beer float, and says something like, ‘Isn’t this better than a jamocha-chip mint-frizzle frappe-whoo-ha thing?’ where he points at his friend, who is drinking THE COOLEST LOOKING DRINK I’VE EVER SEEN. You’re meant to think the friend’s drink looks absurd and overly perplexing next to the boring old root beer float, but the friend’s drink has whipped cream and sprinkles and a curly straw, and all I can think is, ‘where can I get one of those?!’ The root beer float drinker goes on to talk about how his float is really American (read: dull as nails and utterly unchallenging). Which is funny because, other than that whole let’s-not-buy-anything-French craze back when Chirac didn’t want to support the Iraq invasion, I didn’t realize that even the most apple-pie neocons required all of their foods to somehow be labeled “American.” Cars or T-shirts, maybe…but food? I don’t think anyone really wants to live on hot dogs and processed cheese, but if they do, I guess they can wash them down with root beer.

Incidentally, a lot of food companies apparently really think that viewers will empathize with their utter disdain for the lengthy names of Starbucks milkshakes. That whole ‘jamocha-chip-frizzle’ riff is in a lot of ads now (including one of the Soy Joy ads, in fact). Somebody somewhere decided that this was advertising gold. And granted, the long names are a little silly, but I don’t really think American consumers are losing sleep because of mocha chip frapuccino-generated rage quite at the rate advertisers seem to think they are.

And along with this, who decided that a really great way to tap into American food-based alienation was to repeat variations on ‘if you can’t pronounce the ingredients, don’t eat it’? This sentiment is always put forth as if it were sheer, undeniable common sense: “why on Earth would you be so insane as to eat something if you can’t pronounce all of the ingredients?”

What? Do people really hold up a box of cereal and worry about the fact that they can’t orally recite the ingredient list? And if that is the case, shouldn’t children, who can’t read or pronounce anything at all, be denied all food? Health-food makers are declaring this all over the place lately; from a Soy Joy ad, to the copy on the back of my box of Back to Nature crackers (and now that I think about it, in the same A&W ad just under discussion), I’m told that if I am too stupid to parse out a multi-syllabic word, then I ought to stick to foods that won’t attempt to challenge me in this way. Really, I’d love to see all advertising continue along in this vein: ‘If you can’t pronounce it, why would you upload it to your hard drive?’ ‘If you’ve never tried it before, why would you go near it now?’ ‘If you’ve never been to a country, why would you use any product from there?’ And so forth.

More:

I Hate Ads VI

I Hate Ads V

I Hate Ads IV

I Hate Ads III

I Hate Ads

August 27, 2007

I Hate Ads

For several years, I did not have a television. I wish I still didn’t, but I live with people, so I have one, and because I have one, I watch it more frequently than I really should. TV shows these days seem to mainly function as short blips to pad out the advertising, and the more ads I watch, the more interested I become in what makes a good, creative ad, and what makes a terrible one. Some ads just bother me. I mean, just annoy the ever living shit out of me, until I start screaming in rage and throwing things at the television set. And wake up in the night, ranting about their horrible writing and inconsistent themes. And finally, blog about them. To wit:

First of all, the sour Skittles ad, where a man is being milked by a milking machine. Now, my objection to this is not, as you might think, that this ad is totally disgusting. Rather, it is because of the imprecise way in which the ad is worded. Next to misogyny, this sort of careless, nonsensical language use is my biggest pet peeve in advertising. It would be bad enough if an advertising agency merely pitched such an ad, but on top of that, when you think of all the work that is done on an ad, all the reviewing and rewriting and shooting and focus group testing, and so forth…when you think that throughout that long, expensive process in which the ad is discussed and worked on by dozens and dozens of people, that not one of those people ever said, ‘you know, this phrasing doesn’t make a damn bit of sense,’ well, that is a very disheartening thought to me, to say the least.

In the sour Skittles ad, the farmer comes in and angrily says to the man being milked, “I’m just saying that maybe if you didn’t eat so many sour Skittles, I wouldn’t have sour milk!”

And the man being milked replies, “Well. That’s a risk I’m willing to take.”

What? No risk was introduced! That makes no sense at all! If the farmer had said, “I’m just saying, if you keep on eating those sour Skittles, I’m going to kick your ass,” the man’s response would have made sense. Or, if the farmer’s dialogue was the same, the man could have said, “Well. That’s a theory I’m not prepared to test.” If anything, assuming that the “risk” is producing non-sour milk by curbing the consumption of sour Skittles, the man being milked has agreed to take that risk! Which would mean he won’t be eating sour Skittles anymore, but we are clearly meant to understand that he is disagreeing with the farmer, and will continue to eat the sour Skittles (and in fact, he does so immediately after delivering his ludicrous reply). So, the risk must be an implied, unspoken risk that the farmer might possibly visit some harm upon the man if he does not agree to test the farmer’s theory, and lay off the sour Skittles. The man has replied to something that the farmer has not actually said.

It’s especially disappointing that this clunker comes from Skittles, as they have had some of my favorite ads in the past: the ‘Taste the Rainbow’ ads, with their beautiful, surreal visuals, and that yodeling rabbit ad.

Another ad in this category is the Kia sales event ad, where a man says to a coworker, after the coworker finishes a presentation:

“Man, you were on fire up there! Tell me, did you ever study karate?”

“No,” replies the coworker. “But I did get a kickin’ deal at the Kia sales event!”

What? What does karate have to do with anything? Especially after the guy led into it with all his emphasis on fire. It might have made marginally more sense if he’d said, “Man, you were on fire up there! Tell me, did you ever escape from a burning building?” And then the coworker replies, “No, but I did get a smokin’ deal at the Kia sales event!”

Okay, that still would have made no sense, but at least it would have made consistently no sense all the way through, for the same general reason. Or, the guy could have said, “Man, you were so focused and aggressive up there! Tell me, did you ever study karate?” Or even, “Man, you were throwing some heat up there! Tell me, did you ever study karate?” I could do this all day.

The other problem with Kia’s ad is that the premise of the ad has nothing at all to do with the product, and could just as easily be applied to any good or service. Another perfect example of this type of ad is the Holiday Inn Express ad where some daredevil in the desert decides at the last minute not to ride a motorcycle through a flaming hoop (or something like that). A reporter asks, ‘What happened? Did you suddenly wise up?’ (Or something like that.)

And the man replies, ‘No. But I did stay at the Holiday Inn Express last night.’

He could just as easily say, ‘No. But I did drink a Yoplait Smoothie.’ Or, ‘No. But I did call Ace Car Service.’ Or, ‘No. But I did just switch to Geico.’ Or, ‘No. But I did just eat a Big Mac.’ Or ANYTHING AT ALL.

I imagine that advertising companies must just have a giant drawer full of such fill-in-the-blanks ads for whenever they either can’t think of a custom-made ad from some client, or aren’t being paid enough to bother.

More:

I Hate Ads VI

I Hate Ads V

I Hate Ads IV

I Hate Ads III

I Hate Ads II

May 22, 2007

I Take the Columbia School of Journalism’s Prospective Students Practice Test, and Realize I Am Far Too Stupid for Columbia and Possibly for Grad School in General

Identification: Please identify and state the news or historical significance of the following:

1. Name the Mayor of New York City

As a (however recently arrived) local, I understand and support that the first question in this series should touch on New York City governance. NYC is the primary place of “news or historical significance” in the U.S. The answer is Michael Bloomberg. I know this, because you can’t wait tables in NYC (as I do) without every single last one of your tables requesting ‘Bloomberg’s finest,’ as if it were the grandest and most original joke ever to be made about tap water.

2. Karl Rove

Karl Rove was Bush’s evil right-hand man for awhile, who looked like a cross between Ralphie in A Christmas Carol and Phillip Seymour Hoffman in Capote. He stepped down during that whole Plame thing, and I haven’t heard much about him recently, except that Sheryl Crow lit into him about the environment at the White House Correspondents’ dinner not too long ago.

3. Bernard Law

I have two men in my mind: one is a dyspeptic-looking black man, and the other is a flabby-faced Brit. But now that I think about it, I’m pretty sure the Brit is actually Bernard from Lost (who isn’t even British, ha ha). So I’m gonna go with…the black guy?

4. Brown vs. Board of Education

This was a landmark court case that said there shouldn’t be racial segregation in public schooling. I guess it must have been overturned later on or something.

5. Tony Soprano

A cuddly, teddy bear of a murdering misogynist. I downloaded the theme song for this show onto my ipod, and there’s about four minutes of syncopated talking before the part you hear on the show actually starts. I wish I’d spent my $.99 on that Maroon Five song I pretend that I hate.

6. Donald Rumsfeld

You know, asking these open-ended questions about such major players is really tough, Columbia. I mean, Rove, Rumsfeld…how am I supposed to define these people in a mere three sentences? He’s Bush’s ex-Secretary of Defense, and Maureen Dowd calls him Rummy. There.

7. The Freedom of Information Act (significance?)

FOIA!!!!!!!!!!!!! Fun to say. I’m constantly torn between not wanting the government to intrude on my private affairs, and really wishing my private affairs were of interest to the government.

8. The Gulf of Tonkin (historical & current significance?)

The Bay of Pigs was an incident in which President Kennedy funded rebels in Cuba to overthrow Castro, but it didn’t work, and then things got worse. It is currently significant because Cuba is still there, although no one is really sure if Castro is or not.

9. Eminem

Eminem? Seriously? Is he even still recording? Okay, well, he’s a white rapper, father of Haley Ja— Wait a minute, Columbia. Is this one of those things where I’m supposed to not know this question? Like, I’m supposed to know about FOIA and Rummy and so forth, but I’m supposed to have no clue who Tony Soprano or Eminem are? I’m onto you, you tricky journalism school, you.

10. Lee Bollinger

Bernard Law’s fat-faced British cousin.

11. Bill Frist

He’s from Tennessee and so am I! I would not let him operate on me.

12. Name 6 of the 15 countries that are members of the United Nations Security Council as of January 1, 2003.

John Roberts, Clarence Thomas, Anthony Kennedy, Ruth Bader Ginsburg, Antonin Scalia and Stephen Breyer. I can name the rest, too!

13. Lance Armstrong

He rode a bike, had cancer and was married to Sheryl Crow. That’s the second time Sheryl Crow has come up in this practice test! I’m pretty sure she had cancer, too, but Lance’s cancer is more popular, because his was featured on a bracelet. Lance and Sheryl have since divorced, and now Lance is running around everywhere with Matthew McConnahey and acting like a total jackass.

14. Francis Crick & James Watson

Famous bank robbers.

15. Ramadan

Festival involving stampedes. Westerners should not backpack in predominantly Muslim countries during it.

16. Hugo Chavez

Went all over South America on a motorcycle, before becoming a popular T-shirt.

17. Frida Kahlo

The only woman mentioned in Columbia School of Journalism’s practice test. I’m just sayin’. Was more of a successful personality than a good artist, in my opinion, but then, who am I to say? Since we’re discussing Frida Kahlo, I should also mention her personal life and how hard it was being married to Diego. But if you’d asked about Diego, we’d just talk about his work.

18. Hans Blix

UN weapons inspector with emo glasses who reminded me of a mole, which was especially funny since his job was digging up weapons. That weren’t there.

19. Saddam Hussein

I have never heard of this person, and I’m pretty sure that’s a made-up name.

20. Gerhard Schroeder

He was the Chancellor of Germany back when we wanted to go to war in Iraq, but now it’s Angela Merkel, and I prefer her because of that whole Bush-giving-her-a-massage thing, which was hilarious. I can’t remember Schroeder ever doing anything funny.

Done! So…scholarship?

April 4, 2007

Not (Particularly) Funny

This post is not strictly within the scope of this blog, but I happened to read several articles today that really did a great job of articulating various gripes I’ve been nursing lately, such as:

“the ‘indie-rockization’ of the comedy audience”

Why the hell does everyone want to read non-fiction memoirs anyway?

So…is deconstruction bullshit, or not?

(Linked to the last two from The Morning News.)

And last, but not least:

Oh, my blood pressure went down just watching this. This made me feel all calm and warm inside.

(Linked to from East Village Idiot.)

Clearly, I’ve got oodles of time on my hands these days, what with the injury and all. The only hard and fast appointments I have are with various television programs (next: Arrested Development rerun at 2:30 p.m.). Shut up. It’s raining out.

April 3, 2007

Sometimes the World Seems a Lot More Fixable…

…like when you discover all of the ads you hate are actually created by the same company.

March 22, 2007

Lost Spoilers

  • Claire moves into the others’ suburban community so that she can finally obtain and enforce a restraining order against Charlie.

  • Desmond hits on Claire. When she rebuffs him, he reminds her that he can see the future, and thus her eventual submission is a foregone conclusion. She figures, what the hell. Their super hot accents make them a hit at the others’ cocktail parties.

  • Juliette becomes repulsed by Jack’s growing facial bloat. She and Kate bond one drunken night, giggling about how Jack is totally the type of guy who’s really hot for the first month you know him, but becomes steadily less attractive the longer you are acquainted.

  • Jack claims he doesn’t care about all that anyway, because he has come up with a plan to save everyone by sitting alone in a tiny, bug-infested cave, fasting and meditating until they are rescued. No one takes notice of his self-martyrdom. Jack drunk dials Bai Ling.

  • Sayid reveals that he is actually Indian and not Iraqi at all. In his flashbacks, he explains, he’s really ‘torturing Pakis and,’ he declares, he’s ‘not sorry and would do it again in a New York minute.’ This announcement is followed by a long, awkward silence. Charlie takes Sayid aside and explains that racist sentiment is only adorable when it comes from Sawyer.

  • The polar bear finally tells its side of the story. Everyone agrees that it is indeed no easy thing being a polar bear on a tropical island, and they promise to forgive and forget that whole Mr. Echo incident.

  • Kate finally acheives her goal of having bigger biceps than Sawyer, but loses his affections in the process. To make him jealous, she has sex with Jack in a big cage. On camera.

  • Someone wonders whatever happened to Rose, and we discover that she and Bernard flagged down a boat and left the island weeks ago. They returned to America, where they met up with Michael and Walt. Walt cured Rose’s cancer with his unspecified magical powers. Meanwhile, Michael discovers that Rose is actually his long-lost mother. The four are sitting in their living room, looking out the sliding glass doors, when the seagull Claire tagged flies smack into the doors and is instantly killed. ‘I saw that coming,’ says Walt, and they all laugh and laugh.

  • The ghosts of Shannon and Boone appear to Jack and Claire and inform them that they are half-siblings. Based on their own sibling experience, Shannon and Boone suggest that Jack and Claire celebrate by getting it on. In a cage.

  • Jin’s backstory reveals that, prior to meeting Sun, he did a stint in a traveling circus, appearing as the world’s only ripped Asian man. Sun is angry at his having kept this a secret, but after he smacks her around a little, she is attracted to him once again.

  • Charlie violates Claire’s restraining order for the twentieth time, and is thrown into a cage. Where he has sex with Sawyer on camera.

  • Hurley hits it off with Alex and her boyfriend, and the three of them, plus that dude with the eyepatch, start spending all their time riding around the island in Hurley’s van, drinking decades-old beer and burning through Mr. Echo’s heroin stash.

  • Ben reveals that the common thread that summoned all of them to the island is clearly that they all had dead-beat dads (many of whom are inexplicably also on the island). Ben, himself a bad dad, further reveals that the evil black column of smoke is the manifested toxic hatred of bad dads everywhere. Ben leads everyone in couseling sessions, and they learn to live and let go. But first, they torture and kill Locke’s dad.

  • Alex discovers her mother is still alive. Unfortunately, she discovers this by stumbling upon a video feed of Danielle having sex with Sawyer in a cage. Even Ben agrees that they really ought to shut off that camera.

  • In the season finale, we see shots of Sawyer reading Lord of the Flies while wearing his girlie reading glasses. He comes up with a plan to sacrifice Hurley, and the group votes to go forward with that plan. Hurley is a good sport about it. Upon his death, the curse is lifted and everyone is immediately transported to their countries of origin.

  • At this point, John Locke wakes up, and realizes that the entire Lost series has been his dream. However, this includes the John Locke backstory. The (fictional) real-life John Locke is actually a thirty-year-old record store clerk in Lansing, Michigan. Even more mind-blowingly, the (fictional) real-life John Locke was the basis for Nick Hornby’s fictional protagonist in High Fidelity. Lost fans everywhere admit they did not see that one coming.
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