Viennese artist Oscar Kokoschka had a doll made to resemble Alma Mahler (this is a letter to the doll’s maker):
“I was honestly shocked by your doll which, although I was long prepared for a certain distance from reality, contradicts what I demanded of it and hoped of you in too many ways! The outer shell is a polar-bear pelt, suitable for a shaggy imitation bedside rug rather than the soft and pliable skin of a woman. The result is that I cannot even dress the doll, which you knew was my intention, let alone array her in delicate and precious robes. Even attempting to pull on one stocking would be like asking a French dancing-master to waltz with a polar bear!”
(via Kottke)
Also, Jeremy Bentham’s corpse is an auto-icon:
As requested in his will, his body was preserved and stored in a wooden cabinet, termed his “Auto-icon”. . . . For the 100th and 150th anniversaries of the college, the Auto-icon was brought to the meeting of the College Council, where he was listed as “present but not voting”.[12] Tradition holds that if the council’s vote on any motion is tied, the auto-icon always breaks the tie by voting in favour of the motion.
Also, the creator of Pringles was just buried in a Pringles can.
–
George Packer on why it’s impossible for us to discuss Iraq intelligently:
Throughout the opinion classes, the impulse to keep a little part of the brain open to inconvenient facts seemed to have been extinguished. In magazine offices, bloggers’ bedrooms, Hollywood studios, and the White House, a fantasy war was underway, a demonstration of American virtue or a series of crimes against humanity-both of them self-serving fictions.
(via 3QD)
–
Humour offered the early communists the same philosophical conundrums that every other area of culture offered: what belonged to yesterday and what to tomorrow? Many argued that humour could be used to ridicule the old bourgeois habits that persisted … But, said others, given that the Soviets were creating a perfect world, there would soon be nothing left to laugh at in Russian politics or society …
(via 3QD)
–
Ian McEwan on why it’s probably not a good idea to romanticize the end of the world:
The apocalyptic mind can be demonising – that is to say, there are other groups, other faiths, that it despises for worshipping false gods, and these believers of course will not be saved from the fires of hell. And the apocalyptic mind tends to be totalitarian – which is to say that these are intact, all-encompassing ideas founded in longing and supernatural belief, immune to evidence or its lack, and well-protected against the implications of fresh data. Consequently, moments of unintentional pathos, even comedy, arise – and perhaps something in our nature is revealed – as the future is constantly having to be rewritten, new anti-Christs, new Beasts, new Babylons, new Whores located, and the old appointments with doom and redemption quickly replaced by the next.
(via A&LD)
–
Sometimes I find it too hot to run, and sometimes too cold. Or too cloudy. But I still go running. I know that if I didn’t go running, I wouldn’t go the next day either. It’s not in human nature to take unnecessary burdens upon oneself, so one’s body soon becomes disaccustomed. It mustn’t do that. It’s the same with writing. I write every day so that my mind doesn’t become disaccustomed. So that I can gradually set the literary yardstick higher and higher, just as running regularly makes your muscles stronger and stronger.
. . . Working artistically is unhealthy; an artist should lead a healthy life to make up for it.
(via The Book Bench)
